Case-Studies


Co-producing provides many great benefits to producers, such as as enlarging financial opportunities which in turn could reduce financial risks and secure greater distribution and exploitation, provide better access to talent from other regions and open production opportunities which otherwise would not have existed. However, there are also difficulties which come with co-producing across borders, including potential clashes between crews of mixed nationalities and differing cultural backgrounds, language problems and challenges in matching and fulfilling the terms, conditions and guidelines of all the various sources of finance.

It is our hope that the case-studies listed below will be of practical value to producers, talent, lawyers and public film agencies in Europe.

 

"The Silent Mountain" by Ernst Gossner


To case-study

 

“And If We All Lived Together” by Stéphane Robelin


To case-study

 

“A Royal Affair” by Nikolaj Arcel


To case-study

 

"Rare exports: A Christmas Tale" by Jalmari Helander


To case-study

 

"In a better world" by Susanne Bier


To case-study

 

"Max Embarrassing 2" by Lotte Svendsen


To case-study

 

"Sound of Noise" by Johannes Stjärne Nilsson and Ola Simonsson


To case-study

 

"The Secret of Kells" by Tomm More


To case-study

 

"All good children" by Alicia Duffy


To case-study

 

"Altiplano" by Peter Brosens & Jessica Woodworth


To case-study

 

"The White Ribbon" by Michael Haneke


To case-study

 

"Don't look back" by Marina de Van


To case-study

 

"The Frost" by Ferran Audì


To case-study

 

"La Cantante de Tango" by Diego Martinez Vignatti


To case-study

 

"Tulpan" by Sergej Dvortsevoy


To case-study

 

"Everlasting moments" by Jan Troell


To case-study

 

"Love and other crimes" by Stefan Arsenijevic


To case-study

 

"Frostbite" by Anders Banke


To case-study

 

"Cages" by Olivier Masset-Depasse


To case-study

 

"Grbavica" by Jasmila Zvanic


To case-study

 

"Capitaine Achab" by Philippe Ramos


To case-study